Treasures of California & Beyond Fine Auction
Sun, Sep 22, 2024 02:00PM EDT
Lot 129
Eugenia McComas (American 1886-1982)
Estimate: $300 - $500
Bid Increments
| Price | Bid Increment |
|---|---|
| $0 | $10 |
| $100 | $25 |
| $500 | $50 |
| $1,000 | $100 |
| $2,000 | $250 |
| $5,000 | $500 |
| $10,000 | $1,000 |
| $20,000 | $2,500 |
| $50,000 | $5,000 |
| $100,000 | $10,000 |
| $200,000 | $25,000 |
| $500,000 | $50,000 |
Eugenia McComas (American 1886-1982)
Eugenia McComas (American 1886-1982)
"Wall-Mexico'
Charcoal on paper
Signed l/r
23in.x 18in (58cm. x 46cm)
Framed: 29in. x 24in (74cm. x61cm).
Her first solo exhibition was at Gump's department store in 1924. Her first major success came with a very well received solo exhibition in New York City in 1938. Gertrude Stein thought the mural at Del Monte Lodge on Monterey Peninsula was "the best thing she had seen in America," reported Woolfenden in recapping McComas's career.
McComas was a member of the Carmel Arts Association, the San Francisco Art Association and National Society of Mural Painters. She exhibited at California Palace of the Legion of Honor in San Francisco, Golden Gate International Exposition of 1939 to 1940, De Young Museum in 1952, Art Institute of Chicago and Pasadena Art Institute
From the Collection of the Garzoli Gallery
Eugenia McComas (American 1886-1982)
"Wall-Mexico'
Charcoal on paper
Signed l/r
23in.x 18in (58cm. x 46cm)
Framed: 29in. x 24in (74cm. x61cm).
Her first solo exhibition was at Gump's department store in 1924. Her first major success came with a very well received solo exhibition in New York City in 1938. Gertrude Stein thought the mural at Del Monte Lodge on Monterey Peninsula was "the best thing she had seen in America," reported Woolfenden in recapping McComas's career.
McComas was a member of the Carmel Arts Association, the San Francisco Art Association and National Society of Mural Painters. She exhibited at California Palace of the Legion of Honor in San Francisco, Golden Gate International Exposition of 1939 to 1940, De Young Museum in 1952, Art Institute of Chicago and Pasadena Art Institute
From the Collection of the Garzoli Gallery
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